"Laura Owens Retrospective Coming to the Whitney"
—The New York Times
For more than twenty years, Los Angeles–based artist Laura Owens has pioneered an innovative—and at times controversial—approach to painting that has made her one of the most influential artists of her generation. Her bold and experimental work challenges traditional assumptions about figuration and abstraction, as well as the relationships among avant-garde art, craft, pop culture, and technology.
This mid-career survey, the most comprehensive of Owens’s work to-date, will feature approximately 60 paintings from the mid-1990s until today, as well as custom-printed wallpaper and artist’s books made specifically for the show. The exhibition will highlight her significant strides over the past few years, showing how the early work sets the stage for gripping new paintings and installations.
Owens emerged on the Los Angeles art scene during the mid-nineties, at a time when many in the critical establishment viewed painting with suspicion. Her early canvases upended the traditions of painterly abstraction by incorporating goofy personal allusions, doodling, and common craft materials. These works often demonstrated her keen interest in how paintings function in a given room and used illusionistic techniques to extend the plane of a wall or floor directly into the space of her pictures. More recently, she has charted a dramatic transformation in her work, marshaling all of her previous interests and talents within large-scale paintings that make virtuosic use of silkscreen, computer manipulation, digital printing, and material exploration. The Whitney has a longstanding commitment to Owens, who has been featured in two Biennials, and is significantly represented in the Museum’s collection.
This exhibition is organized by Scott Rothkopf, Deputy Director for Programs and Nancy and Steve Crown Family Chief Curator.
Major support for Laura Owens is provided by the Andy Warhol Foundation.
Generous support is provided by Ashley Leeds and Christopher Harland.